A new haircut, a new outfit, a better stance and the makeup to match. Your face stays yours.
One photo back, about a minute. Your face, your room, your light.
Four things at once, in the photograph you already have: the hair on your head, the clothes you are wearing, how you are standing, and the makeup on your face. Your face itself, the room, the light and the camera stay exactly as they were.
It is one edit, not four. The four tools it draws on, Hair Maxing, Style Maxing, Pose Maxing and the makeup try-on, each change one thing and hold the rest still. Asked for together they would cancel each other out, because each one's instructions say to keep what the others are changing. So Full Maxing writes a single instruction that names what is moving and what is not, and sends it once.
You can take it apart. The screen shows the four lines before anything runs, and any of them can be swapped or dropped. A run with three lines is a perfectly ordinary run.
By who you are: the same twenty-seven character types the rest of the site uses, from The Businesswoman to The Adventurer. The wardrobe and the hair catalogue are both tagged with them, so one choice fills both.
By where you are going: a date, the office, a wedding, the beach, a night out, a holiday meal. An occasion decides more than a type does, because a room has expectations and a personality does not.
Surprise me: one legal combination, rolled. Press it again and it will not repeat itself. It gets better every week without anybody touching this page, because the hair catalogue is still being filled.
It will not make you somebody else. The instruction that protects your face outranks every other instruction in the run, and it says so in those words: where following a change would alter who you are, it follows it less.
It will not invent a new photograph. Same room, same light, same framing, same camera. A new stance moves your body; it does not move the camera.
It will not beautify. No smoothing, no slimming, no whitened teeth, no corrected asymmetry. That is the same promise every tool on this site makes, and it is the reason the results look like photographs of people.
That is the question this tool is most likely to get wrong, which is why we ask it back after every run rather than assuming. Four things moving at once is the hardest edit we make. Your face, its geometry, your skin, your age and your expression are held by the strictest instruction in the prompt, and that instruction is written to win when it conflicts with anything else. If a result is not you, say so with the thumbs under it: that answer is read.
Because four edits in a row compound. Each one would start from the last one's output, so the small drift in each would stack, and you would be four steps away from the person who uploaded the photo. One instruction, sent once, keeps every change measured against your original.
No. Drop any line on the screen before you run it. Makeup is on for a woman's photo and off for a man's by default, and either can be changed on the same screen.
It goes to our AI provider to be edited, which is why we ask before sending it, and it is not used to train anything. Without an account your photo and the result are deleted after 24 hours. With one they stay in your Studio until you delete them.
There is a free run every day while the promotion is on. Past that it is one photo's worth of credits: one prompt, one call, one charge. Nothing is deducted from the four tools it draws on, and running Full Maxing does not use up your free Hair Maxing or Style Maxing run.
Yes, all of it. The hair catalogue and the wardrobe both have a men's side, the stances are written for both, and makeup is simply off unless a man turns it on.